With each Lane you can decide how many steps you need, as well as dictating the start, end and loop points.
Each of these independent parameters is known as a “Lane”. You can also edit and morph new parameters such as shapes, gate times and the values on the step sequencer. You can now split apart timing, sample sequences and the melody allowing you to interact and manipulate each parameter independently. Wave Sequencing 2.0 provides you with multiple new ways to edit and interact with your patterns. Well, with Wave Sequencing 2.0 you can achieve that and more. But what if those same patterns could be more organic? Morphing and evolving to create something fresh and exciting. This allowed the user to create unique sounding patterns that repeated. With the Wavestation, the Wave Sequences had in-depth control over each step for duration, sample and pitch. The compact, desktop-based design provides you with a 37-note full-sized keybed for fluid playability.īuilding on the success of the Wavestation, Korg have further expanded the Wave Sequencing technology for this Wavestate synthesizer. It also boasts a wide variety of classic and modern-day filters for in-depth sound design. Nearly every knob and parameter can be modulated for in-depth control. It incorporates high-end sounds from the Kronos, Krome and brand-new samples from Korg and Plugin Guru. The Wavestate synthesizer features a huge, versatile sample library with custom sounds from Korg. This allows you to create unique and ever-evolving sequences and patterns. The Wavestate employs new and improved Wave Sequencing 2.0 technology. The Korg Wavestate Sequencing Synthesizer is a cutting-edge sequencing synth, building on the success of the Korg Wavestation. Look at your options and see how you can make them work for you in ways that aren't obvious.Ride the wave. If you want, you can create completely different patterns for each time the pattern runs through, which running at 1/16 per step is 16 bars perfect for chord progressions.īe creative and remember that limitations don't need to be shackles.
The KSP is actually a different beast again, with the way it can play a variation of the pattern for each round up to four round. Now I realise how ridiculous it sounds to have notes that sound for an entire bar (of 4/4 timing) but it actually isn't that silly, especially if you are running chords.
Crotchets (quarter-notes), make 64 steps run for a length of 16 bars and if you are going to use steps the length of a breathe (1/1, achievable by running the sequencer on a clock signal at a quarter speed of the actual BPM you are working in), you get a maximum pattern length of 64 bars! Running at 16ths, then yes 4 bars is the length, but running on semiquavers (8ths) your pattern is 8 bars. Depending on what timing division you use, you can make longer patterns.
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